Chapter I

PRESENTS TWO YOUNG PEOPLE

In January, 1914, Francis Athelstan Sherbrand, Viscount Norwater, only son of that fine old warrior, General the Right Honourable Roger Sherbrand, V.C., K.C.B., first Earl of Mitchelborough, married Margot Mountjohn, otherwise known as "Kittums," and found that she was wonderfully innocent—for a girl who knew so much.

It was a genuine love-match, Franky being a comparatively poor Guardsman, with only two thousand a year in addition to his pay as a Second Lieutenant in the Royal Bearskins Plain, and Margot a mere Cinderella in comparison with heiresses of the American canned-provision and cereal kind.

It had seemed to Franky, standing with patent-leathered feet at the Rubicon dividing bachelorhood from Benedictism, that all his wooing had been done at Margot's Club. True, he had actually proposed to Margot at the Royal Naval and Military Tournament of the previous June, and Margot, hysterical with sheer ecstasy, as the horses gravely played at push-ball, had pinched his arm and gasped out:

"Yes, but don't take my mind off the game just now; these dear beasts are so heavenly! ..."

And theatres, film-picture-shows and variety halls, race-meetings, receptions, balls and kettledrums, polo and croquet-clubs, had fostered the courtship of Franky and Margot; but all their love-making had been carried out to the accompanying hum of conversation and the tinkle of crystal and silver-plate in the dining-room of the "Ladies' Social," where Margot had her favourite table in the glass-screened corner by the fire-place; or in the circular smoking-room with the Persian divan and green-glass dome, that Margot had given the Club on her nineteenth birthday; or in the boudoir belonging to the suite she had decorated for herself on the condition that no other member got the rooms if Margot wanted them, which Margot nearly always did....

There was a big, rambling, ancient red-brick Hall, stone-faced in the Early Jacobean manner, standing with its rare old gardens and glass-houses, lawns and shrubberies, about it, within sight and sound of the Channel, amidst pine and beech-woods carpeted with bilberry-bushes, heathery moors, and coverts neck-high in July with the Osmunda regalis fern. The Hall belonged to Margot, though you never found her there except for a week or two in September and three days at Christmas-tide. The first fortnight with the birds was well enough, but those three days at Christmas marked the limit. Of human endurance Margot meant, possibly. She never vouchsafed to explain.

She also possessed a house in town, but just as her deceased father's spinster sister lived at the Hall in Devonshire, so did her dead mother's brother Derek, with his collection of European moths and butterflies and other Lepidoptera, inhabit the fine old mansion in Hanover Square. Devonshire at Christmas marked the limit of dulness, but Hanover Square all the London season through beat the band for sheer ghastly boredom.... Not that there were any flies on little old London.... Paris and Ostend were ripping places, and you could put in a clinking good time at Monte Carlo.... Margot had tried New York and liked it, except for the place itself, which made you think of illustrations to weird Dunsany legends in which towering temples climb up unendingly upon each other into black star-speckled skies. But the Club and London, with Unlimited Bridge and Tango, constituted Margot's idea of earthly happiness. She never had dreamed of marrying anybody—until Franky had arrived on the scene.

Perhaps you can see Franky, with the wholesome tan of the Autumn Manoeuvres yet upon him. Twenty-seven, well-made and muscular, if with somewhat sloping shoulders and legs of the type that look better in Bedford cords and puttees, or leathers and hunting-tops, than in tweed knickers and woollen stockings, or Court knee-breeches and silks. Observe his well-shaped feet and slight strong hands with pointed fingers, like those of his ancestors, painted by Vandyke; his brown eyes—distinctly good if not glowing with the fire of intellect, his forehead too steep and narrow; his moustache of the regulation tooth-brush kind, adorning the upper-lip that will not shut down firmly over his white, rather prominent, front teeth. Cap the small rounded skull of him with bright brown hair, brushed and anointed to astonishing sleekness, dress him in the full uniform of a Second Lieutenant in the Bearskins Plain, and you have Franky on his wedding-day.

Photographs of the happy couple published in the Daily Wire, the Weekly Silhouette, the Lady's Dictatorial, and the Photographic Smile, hardly do the bridegroom justice. In that without the busby his features are fixed in a painful grin, while in the other there are no features at all. But Margot—Margot in a hobble-skirt of satin and chiffon, with a tulle turban-veil, starred with orange-flowers in pearls and diamonds, and a long serpent-tail train of silver brocade, hung from her shoulders by ropes of pearls, was "almost too swee," to quote Margot's Club friends. Search had been made, amongst the said friends, many of whom were married, for a pair of five-year-old pages to carry the bride's train; but there being, for some reason, a dearth of babies among Margot's wedded intimates, the idea had to be given up.

The wedding was quite the prettiest function of the season. The eight bridesmaids walked in moss-green crepe de Chine veiled with silver-spotted chiffon. On their heads were skull-caps of silver tissue, each having a thirty-inch-high aigrette supported by a thin bandeau of gold, set with crystals and olivines, the gift of the bride.... Their stockings were of white lace openwork, the left knee of each being clasped by the bridegroom's souvenir, a garter of gold, crystal, and olivines. Silver slippers with four-inch heels completed the ravishing effect.

O Perfect Love! was sung before the Bishop's Address, and the ceremony concluded with The Voice that Breathed and Stainer's Sevenfold Amen. The bridal-party passed down the nave to the strains of the Wedding Chorus from Lohengrin. And there was a reception at the Werkeley Square house of one of the dearest of Margot's innumerable dearest friends, and the happy pair left in their beautiful brand-new Winston-Beeston touring car en route for the old red-brick Hall in Devonshire. Decidedly the honeymoon might have been termed ideal—and four subsequent months of married life proved tolerably cloudless—until Fate sent a stinging hailstorm to strip the roses from the bridal bower.

An unexpected, appalling, inevitable discovery was made in Paris in the Grande Semaine, at the end of the loveliest of June seasons. It utterly ruined—for two people—the Day of the Grand Prix, that marks the climax of the Big Week, when the Parisian coaching-world tools its four-in-hands to Longchamps Racecourse, and the smartest, richest, and gayest people, mustered from every capital of Europe, parade under the chestnut-trees that shade the sunny paddock, to display or criticise the creations of the greatest couturiers.

Margot had put on an astonishing gown for the occasion.... You will recall that the summer dress designs of 1914 were astonishing; the autumn modes promised to be even more so, according to Babin, Touchet, and the Brothers Paillot. Skirts—already as short and as narrow as possible—were to be even narrower; the Alpha and Omega of perfection would be represented by the Amphora Silhouette. And Margot, revolving before her cheval-glass in a sheath of jonquil-coloured silk lisse, embroidered with blue-and-green beetle-wings, found—to her horror and consternation—

Shall one phrase it that Dame Nature, intent upon her essential, unfashionable business of reproduction, was at variance with Madame Fashion re the Amphora Silhouette? The slender shape was not yet spoilt, but long before the autumn came, no art would mask the wealthy curves of its maternity.